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This book argues for the integral role of framing within Graeco-Roman art, as well as exploring the relationship between the frames of classical antiquity and those of more modern art and aesthetics. It is aimed at students and scholars of art history, aesthetics, visual studies and classics, as well as cultural and intellectual history.
Illustrations: 221 Halftones, black and white
Editor(s): Michael (King's College London) Squire