Since its 1915 premiere, artists and arrangers ranging from the classical pianist Artur Rubinstein to pop luminaries such a Fred Waring and Spike Lee have found El amor brujo attractive. In Manuel de Falla's El amor brujo, author Carol A. Hess explores the ways in which music, class, and race are intertwined in the unusually rich history of this piece.
Publisher: Oxford University Press Inc
Author(s): Carol A. (Distinguished Professor of Music, Distinguished Professor of Music, University of California, Davis) Hess