NADA, Paperback

This tour de force political thriller, told in Manchette's signature noir style, follows a group of far left extremists in the throes of post-1968 disillusionment

Nada is the most overtly political of Jean-Patrick Manchette's dark thrillers, a critique of the terrorism that tempted a sliver of the ultra-left in France (and elsewhere) in the wake of the disillusions of 1968. The novel chronicles the kidnapping and eventual killing of an American ambassador by an anarcho-terrorist group who have espoused armed struggle. A rough equivalent to this story might be the saga of the ill-fated Symbionese Liberation Army in California, whose fiery elimination is reminiscent of the police massacre of Manchette's fictional direct-action group in Nada. The novel is in no sense a political pamphlet, however, and readers who have come to appreciate the very special qualities of Manchette's writing, and the cool noir style that he inherits in part from Dashiell Hammett and calls "behaviorist," will not be disappointed in the tour de force that is Nada.

Jean-Patrick Manchette (1942-1995) was a crime novelist, screenwriter, critic, and translator. In 1971 he published his first novel and went on to establish a new genre of French novel, the neo-polar. NYRB Classics publishes his Fatale, The Mad and the Bad, and Ivory Pearl.

Donald Nicholson-Smith has translated Manchette's Fatale, The Mad and the Bad, and Ivory Pearl, as well as Jean-Paul Clebert's Paris Vagabond for NYRB Classics, and Yvan Alagbe's Yellow Negroes and Other Imaginary Creatures and Nicole Claveloux's The Green Hand and Other Stories for NYR Comics. He lives in New York City.

Luc Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, Folk Photography, and, most recently The Other Paris. He translated Félix Fénéon's Novels in Three Lines and has written introductions to several other NYRB Classics, including Classic Crimes by William Roug-head and Pedigree by Georges Simenon. A frequent contributor to The New York Review of Books, he teaches writing and the history of photography at Bard College.